Laura Betti
Acting
Laura Betti (née Trombetti; 1 May 1927 – 31 July 2004) was an Italian actress known particularly for her work with directors Federico Fellini, Pier Paolo Pasolini and Bernardo Bertolucci. She had a long friendship with Pasolini and made a documentary about him in 2001. Betti became famous for portraying bizarre, grotesque, eccentric, unstable or maniacal roles, like Regina in Bernardo Bertolucci's 1900, Anna the medium in Twitch of the Death Nerve, Giovanna la pazza in Woman Buried Alive, hysterical Rita Zigai in Sbatti il mostro in prima pagina, Therese in Private Vices, Public Virtues, Emilia the servant in Pier Paolo Pasolini's Teorema for which she won the Volpi Cup for Best Actress, and Mildred the protagonist's wife in Mario Bava's Hatchet for the Honeymoon. Born Laura Trombetti in Casalecchio di Reno, near Bologna, she grew up to be interested in singing. She first worked professionally in the arts as a jazz singer and moved to Rome. Betti made her film debut in Federico Fellini's La Dolce Vita (1960). In 1963, she became a close friend of the poet and movie director Pier Paolo Pasolini. Under his direction, she proved a wonderful talent and played in seven of his films, including La ricotta (1963), Teorema (Theorem, 1968), his 1972 version of The Canterbury Tales, in which she played the Wife of Bath; and his controversial Salo (1975) ("120 Days of Sodom"). In 1976, Betti portrayed Regina, a cruel and eroto-maniacal fascist in Bernardo Bertolucci's Novecento (1900). She also played Miss Blandish in his Last Tango in Paris (1972), though her single scene was deleted. In 1973 she dubbed the voice of the Devil for the Italian version of William Friedkin's The Exorcist. From the 1960s, Betti dedicated much of her time to literature and politics. She became the muse for a number of leading political and literary figures in Italy and came to personify the revolutionary and Marxist era of 1970s Italy. In 2001, she made a documentary about Pasolini, Pier Paolo Pasolini e la ragione di un sogno. She also donated her papers related to their long friendship along with more than 1000 volumes and many documents connected to Pasolini to the archives of the Fondazione Cineteca di Bologna, thus creating the Centro Studi Archivio Pier Paolo Pasolini. This Centro, strongly wanted by Betti, owns also thousands of photograph and all the works of Pasolini: poetry, literature, cinema and journalism. After her death in 2004 her brother Sergio Trombetti has donated all the personal documents of her career to the Centro that has absorbed them under the name Fondo Laura Betti. Source: Article "Laura Betti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Pasolini and the Secret Humiliation of Chaucer
as Interviewee
Age 79 (now 77)
Il diario di Matilde Manzoni
as Teresa Manzoni Borri
Age 75 (now 77)
Pier Paolo Pasolini and the Reason of a Dream
Director
Age 75 (now 77)Pasolini, el poeta en la playa
as Herself
Age 73 (now 77)
Pier Paolo Pasolini : vivre et encore plus
as Elle-même
Age 48 (now 77)
The Last Day of School Before Christmas
as Passenger coach
Age 47 (now 77)
Stop the World... I Want to Get Off!
Writer
Age 43 (now 77)
The Witches
as Male Tourist (segment "La Terra vista dalla Luna")
Age 39 (now 77)
The Earth As Seen from the Moon
as un turista
Age 39 (now 77)
Noi siamo le colonne
as La cantante annoiata (no acreditado)
Age 29 (now 77)
The Charterhouse of Parma
as The Vivandière
Age 55 (now 77)
Gathering insights...
Also Known As
ラウラ・ベッティ, Laura Trombetti
IMDB
nm0079341