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John F. Seitz

John F. Seitz

Camera

June 23, 1892 – February 27, 1979 (died at 86)
Chicago, Illinois, USA
Male
158 Movies

John Francis Seitz, A.S.C. (June 23, 1892 – February 27, 1979) was an American cinematographer and inventor. He was nominated for seven Academy Awards. Seitz's Hollywood career began in 1909 as a lab assistant with the Essanay Film Manufacturing Company in Chicago. He went to work as a lab technician for the American Film Manufacturing Company (known as "Flying A"), also in Chicago. In 1916, during the silent era, he established himself, achieving great successes with the Rudolph Valentino film The Four Horsemen of the Apocalypse (1921). Highly regarded by director Billy Wilder, Seitz worked with him on the film noirs Double Indemnity (1944), The Lost Weekend (1945), and Sunset Blvd. (1950), receiving Academy Award nominations for each. In 1929, he served a year as president of the American Society of Cinematographers (A.S.C.) for which he had been a member since 1923. The A.S.C. named its 2002 Heritage Award after Seitz. Besides one Golden Globe and seven Oscar nominations, he also received the Look Magazine Award for The Lost Weekend, the A.S.C. Award for Sunset Blvd., and was among the winners of the inaugural George Award from the George Eastman House for outstanding contributions to the art of cinema for the years 1915 to 1925. He retired in 1960 and devoted himself to photographic inventions, for which he held 18 patents. An example of one Seitz invention is the matte shot: a large painting is photographed separately and later added to a scene to expand it, add effects, and/or create a sense of depth in backgrounds. He was also noted for his innovations with low-key lighting, which enhanced the film noir style. A widower, he married screenwriter Marie Boyle in 1934 who raised his daughter Margaret Alice Marhoefer and later gave birth to a son, John Lawrence Seitz.

Sunset Boulevard
Sunset Boulevard

Sunset Boulevard

1950 8.3

Director of Photography

Age 58 (now 86)
Double Indemnity
Double Indemnity

Double Indemnity

1944 8.1

Director of Photography

Age 52 (now 86)
The Lost Weekend
The Lost Weekend

The Lost Weekend

1945 7.6

Director of Photography

Age 53 (now 86)
Sullivan's Travels
Sullivan's Travels

Sullivan's Travels

1941 7.4

Director of Photography

Age 49 (now 86)
The Big Clock
The Big Clock

The Big Clock

1948 7.3

Director of Photography

Age 55 (now 86)
This Gun for Hire
This Gun for Hire

This Gun for Hire

1942 7.0

Director of Photography

Age 49 (now 86)
When Worlds Collide
When Worlds Collide

When Worlds Collide

1951 6.4

Director of Photography

Age 59 (now 86)
Detective Story
Detective Story

Detective Story

1951 7.0

Additional Photography

Age 59 (now 86)
Five Graves to Cairo
Five Graves to Cairo

Five Graves to Cairo

1943 7.0

Director of Photography

Age 50 (now 86)
Invaders from Mars
Invaders from Mars

Invaders from Mars

1953 5.9

Director of Photography

Age 60 (now 86)
The Miracle of Morgan's Creek
The Miracle of Morgan's Creek

The Miracle of Morgan's Creek

1944 6.9

Director of Photography

Age 52 (now 86)
Hail the Conquering Hero
Hail the Conquering Hero

Hail the Conquering Hero

1944 7.1

Director of Photography

Age 52 (now 86)
The Four Horsemen of the Apocalypse
The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse

1921 6.6

Director of Photography

Age 28 (now 86)
Night Has a Thousand Eyes
Night Has a Thousand Eyes

Night Has a Thousand Eyes

1948 6.8

Director of Photography

Age 56 (now 86)
Curly Top
Curly Top

Curly Top

1935 6.5

Director of Photography

Age 43 (now 86)
The Badlanders
The Badlanders

The Badlanders

1958 6.2

Director of Photography

Age 66 (now 86)